| Tag | i1 | i2 | code | text |
|---|---|---|---|---|
| 001 | 2002700002 | |||
| 003 | DLC | |||
| 005 | 20201225162339.0 | |||
| 007 | cr c|||||||||| | |||
| 007 | kj ho| | |||
| 008 | 010823q17261736ja nnn knjpn | |||
| 035 | a | (DLC)12964094 | ||
| 906 | a | 7 | ||
| b | cbc | |||
| c | orignew | |||
| d | u | |||
| e | ncip | |||
| f | 20 | |||
| g | y-printpho | |||
| 035 | a | (DLC)jfp2002000003/PP | ||
| 035 | a | (DLC)12964094 | ||
| 035 | a | (DLC) 2002700002 | ||
| 010 | a | 2002700002 | ||
| 037 | a | LC-DIG-jpd-01779 | ||
| b | DLC | |||
| c | (digital file from original print) | |||
| 037 | a | LC-USZC4-8411 | ||
| b | DLC | |||
| c | (color film copy transparency) | |||
| 040 | a | DLC | ||
| c | DLC | |||
| e | gihc | |||
| 050 | 0 | 0 | a | FP 2 - JPD, |
| 0 | 0 | b | no. 1513 | |
| 100 | 1 | a | Nishimura, Shigenaga, | |
| 1 | d | 1697-1756, | ||
| 1 | e | artist. | ||
| 242 | 1 | 0 | a | Sawamura Sojuro as Soga Juro and Ichimura Takenojo as Soga Goro. |
| 1 | 0 | y | eng | |
| 245 | 1 | 0 | a | Sawamura sōjūrō no soga no jūrō to ichimura takenojō no soga no gorō |
| 1 | 0 | h | [graphic]. | |
| 260 | a | Japan : | ||
| b | Nakajimaya of Sakai-machi, | |||
| c | [between 1726 and 1736] | |||
| 300 | a | 1 print : | ||
| b | woodcut, hand-colored, lacquer, powdered metal ; | |||
| c | 31.5 x 14.7 cm. | |||
| 520 | 0 | a | Two actors, Sawamura Sojurō I (1689-1756) in a kneeling position and Ichimura Takenojō (standing), dancing with a tsuzumi. | |
| 500 | a | Caption label from exhibit "Floating World," Early Masters section: Kabuki Actors: Sôjûrô and Takenojô. Actors can often be identified in Ukiyo-e prints by the personal crests on their costumes. For example, in this print by Nishimura Shigenaga (1697-1756) the kneeling actor wears an orange blossom crest, identifying him as Ichimura Takenojô. Takenojô was the nephew of a proprietor of a prominent kabuki theater in Edo. He eventually gave up acting and became a Buddhist priest. Above him stands Sawamura Sojurô, identified by the "i" crest. Since actor's crests and names were handed down, they are not always a certain means of identification. | ||
| 540 | a | No known restrictions on publication. | ||
| 500 | a | Title and other descriptive information compiled by Nichibunken-sponsored Edo print specialists in 2005-06. | ||
| 500 | a | Format: Hosoban Urushie. | ||
| 506 | a | Restricted access: Materials extremely fragile; | ||
| c | please use online digital image. | |||
| 580 | a | Forms part of: Japanese prints and drawings (Library of Congress). | ||
| 581 | 8 | a | Published in: The Floating world of Ukiyo-e ... / essays by Sandy Kita .... New York ..., 2001, no. 5, p. 19. | |
| 585 | a | Exhibited: "The Floating world of Ukiyo-e: shadows, dreams and substances," organized by the Library of Congress, 2001. | ||
| 650 | 7 | a | Actors | |
| 7 | x | Japanese | ||
| 7 | y | 1720-1740. | ||
| 7 | 2 | lctgm | ||
| 650 | 7 | a | Dance | |
| 7 | z | Japan | ||
| 7 | y | 1720-1740. | ||
| 7 | 2 | lctgm | ||
| 650 | 7 | a | Hand drums | |
| 7 | x | Japanese | ||
| 7 | y | 1720-1740. | ||
| 7 | 2 | lctgm | ||
| 655 | 7 | a | Ukiyo-e | |
| 7 | y | 1720-1740. | ||
| 7 | 2 | gmgpc | ||
| 655 | 7 | a | Woodcuts | |
| 7 | x | Japanese | ||
| 7 | x | Hand-colored | ||
| 7 | y | 1720-1740. | ||
| 7 | 2 | gmgpc | ||
| 852 | a | Library of Congress | ||
| b | Prints and Photographs Division | |||
| e | Washington, D.C. 20540 USA | |||
| n | dcu | |||
| 856 | 4 | 1 | 3 | digital file from original print |
| 4 | 1 | d | jpd | |
| 4 | 1 | f | 01779 | |
| 4 | 1 | q | p | |
| 4 | 1 | u | http://hdl.loc.gov/loc.pnp/jpd.01779 | |
| 856 | 4 | 1 | 3 | digital file from color film copy transparency |
| 4 | 1 | d | cph | |
| 4 | 1 | f | 3g08411 | |
| 4 | 1 | q | p | |
| 4 | 1 | u | http://hdl.loc.gov/loc.pnp/cph.3g08411 | |
| 985 | a | pp/jpd | ||
| 985 | e | pp/minload | ||
| 985 | a | pp/exh | ||
| e | L4306 | |||
| 985 | a | pp/diof | ||
| 991 | b | c-P&P | ||
| m | (C size) | |||
| o | ppsd | |||
| v | obj |
