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• Collection: Daguerreotypes

• Title: [Franklin Pierce, head-and-shoulders portrait, three-quarters to the left]
• Related Names:
     Brady, Mathew B., approximately 1823-1896.
• Date Created/Published: [between 1851 and 1860]
• Medium: 1 photograph : whole plate daguerreotype, gold toned.
• Summary: President of the United States, 1853-1857.
• Reproduction Number: LC-USZ62-110136 (b&w film copy neg. post-1992) LC-USZ62-9059 (b&w film copy neg. pre-1992)
• Rights Advisory: No known restrictions on publication.
  
• Access Advisory: Original served by appointment only.
• Call Number: DAG no. 390
• Repository: Library of Congress Prints and Photographs Division Washington, D.C. 20540 USA
• Notes:
  • Hallmark: Rinhart 9.
  • Identification from an engraving by W.L. Ormsby, 1852.
  • Facing the light / H. Pfister. Washington : Smithsonian Institution Press, 1978, p. 339.
  • Transfer; U.S. War College; 1920. (DLC/PP-1920:46153).
  • Forms part of: Daguerreotype collection (Library of Congress).
  • Produced by Mathew Brady's studio.
• Subjects:
  • Pierce, Franklin,--1804-1869.
• Format:
  • Daguerreotypes--1850-1860.
  • Portrait photographs--1850-1860.
• Collections:
  • Daguerreotypes
• Part of: Daguerreotype collection (Library of Congress)
• Bookmark This Record:
     https://www.loc.gov/pictures/item/2004664041/

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• Rights Advisory: No known restrictions on publication.
• Reproduction Number: LC-USZ62-110136 (b&w film copy neg. post-1992) LC-USZ62-9059 (b&w film copy neg. pre-1992)
• Call Number: DAG no. 390
• Medium: 1 photograph : whole plate daguerreotype, gold toned.

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• Call Number: DAG no. 390
• Medium: 1 photograph : whole plate daguerreotype, gold toned.
• Access Advisory: Original served by appointment only.

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     As a preservation measure, we generally do not serve an original item when a digital image is available. If you have a compelling reason to see the original, consult with a reference librarian. (Sometimes, the original is simply too fragile to serve. For example, glass and film photographic negatives are particularly subject to damage. They are also easier to see online where they are presented as positive images.)

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