Thanks for the tree between me & a sniper’s bullet. I don’t know what made the grass sway seconds before the Viet Cong raised his soundless rifle. Some voice always followed, telling me which foot to put down first. Thanks for deflecting the ricochet against that anarchy of dusk. I was back in San Francisco wrapped up in a woman’s wild colors, causing some dark bird’s love call to be shattered by daylight when my hands reached up & pulled a branch away from my face. Thanks for the vague white flower that pointed to the gleaming metal reflecting how it is to be broken like mist over the grass, as we played some deadly game for blind gods. What made me spot the monarch writhing on a single thread tied to a farmer’s gate, holding the day together like an unfingered guitar string, is beyond me. Maybe the hills grew weary & leaned a little in the heat. Again, thanks for the dud hand grenade tossed at my feet outside Chu Lai. I’m still falling through its silence. I don’t know why the intrepid sun touched the bayonet, but I know that something stood among those lost trees & moved only when I moved.
—Yusef Komunyakaa
Rights & Access
from Dien Cai Dau © 1988 by Yusef Komunyakaa.
Published by Wesleyan University Press.
Reprinted by permission.
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Yusef Komunyakaa
Yusef Komunyakaa (1947- ) is a Pulitzer Prize-winning poet and the author of more than 10 poetry collections, including The Emperor of Water Clocks (Farrar, Straus and Giroux, 2015). He serves as Distinguished Senior Poet in New York University’s graduate creative writing program.