They remember Gene Chandler topping the charts with “Duke of Earl” when the boys were set on taking the milk bar’s one banquette and winning their hearts, Mavis and Merle, as it seemed their hearts might be first to yield, hearts before minds. Time for stilettos. Time for spivs with shivs. The time of day when light fails on the field while their daughters, themselves now tweenie girls, crowd round a coach for one last tête-a-tête. They remember Gene Chandler topping the charts with “Duke of Earl” while the world still reeled from the anti-Castro Cubans going to sea in a sieve, as it seemed. Their hearts might be first to yield if only after forty years of one plain, one purl, on the sweater they’ve sweated over for a Bay of Pigs vet, and winning their hearts, Mavis and Merle, may now be faintly likelier for a well-heeled schlub to whom they once wouldn’t so much as give the time of day. When light fails on the field a schlubster linesman will unfurl an offside flag that signals some vague threat, they remember. Gene Chandler topping the charts with “Duke of Earl” for three weeks only in 1962 might have taught them to shield themselves against the lives their daughters briefly relive, as it seemed their hearts might be first to yield to this free kick that forever curls past the goal mouth, the ball at once winging into the back of the net and winning. Their hearts, Mavis and Merle, hanker for the time when it was not yet revealed failure’s no less literal than figurative, the time of day when light fails on the field and gives back a sky more muddy than mother-of-pearl, so it’s with a deepening sense of regret they remember Gene Chandler topping the charts with “Duke of Earl” and winning their hearts, Mavis and Merle.
—Paul Muldoon
Rights & Access
From The New Yorker, 2004
Copyright 2004 Paul Muldoon.
All rights reserved.
Reprinted by permission of Paul Muldoon. Copyright 2004 by Paul Muldoon.
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Paul Muldoon
Paul Muldoon (1951- ) is one of Ireland's leading contemporary poets. He is the author of more than 20 poetry collections, and won the Pulitzer Prize for Moy Sand and Gravel (Farrar, Straus and Giroux, 2003).