Book/Printed Material Graphic sampler
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Image 1 of Graphic sampler LIBRARY OF CONGRESS □DDlfib53Dfl4- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 2 of Graphic sampler explains, they were all under the direct supervision of the Congregazione d’An- nona, 4 a government agency which regulated the production and sale of grain products; hence the allusions to tilling the...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 3 of Graphic sampler through the ingenuity of the stucco artisans. Thus, in its temporary character it is related to festival architecture, together with triumphal arches and modern fairground buildings. The second sheet, showing the interior...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 4 of Graphic sampler- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 5 of Graphic sampler- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 6 of Graphic sampler- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 7 of Graphic sampler GRAPHIC SAMPLER- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 8 of Graphic sampler Samson Threatening His Father-in-Lavv. Print from restrike album, after the Rembrandt painting.- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 9 of Graphic sampler GRAPHIC SAMPLER Compiled by RENATA V. SHAW Prints and Photographs Division LIBRARY OF CONGRESS WASHINGTON 1979- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 10 of Graphic sampler Library of Congress Cataloging in Publication Data Main entry under title: Graphic sampler. 1. Prints—Addresses, essays, lectures. 2. Drawing—Addresses, essays, lectures. 3. Popular culture—Illustrations—Addresses, essays, lectures. 4. Architectural drawing— Addresses, essays, lectures....- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 11 of Graphic sampler This book is dedicated to Edgar Breitenbach, Chief of the Prints and Photographs Division from 1956 to 1973, whose enthusiasm and interest in the graphic arts inspired many of the essays in...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 12 of Graphic sampler- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 13 of Graphic sampler With this Graphic Sampler, the Prints and Photographs Division presents to its friends a representative selection of images from the vast and diverse collections in its custody. The choice of subject matter...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 14 of Graphic sampler Architectural plans explored in this section range from a royal project in Italy to designs for domestic buildings in the United States. These carefully executed pen-and-wash drawings exemplify the work of professional...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 15 of Graphic sampler The most spectacular advertisements were those announcing the latest events in the world of opera, vaudeville, music hall, and circus. Schools used lithographic wall charts as aids to object teaching. Industrial entrepreneurs...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 16 of Graphic sampler included here, Eichenberg explains his working methods and shows us the development of an idea from quick, sketchy notation to final finished solution. Max Beckmannn’s lithographic sheets for his “Day and Dream”...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 17 of Graphic sampler Contents Preface VII I. Prints and Drawings from the Fifteenth Century to 1800 1 Israhel van Meckenem’s Man of Sorrows, Edgar Breitenbach 2 The “Pembroke” Album of Chiaroscuros, Alan M. Fern and...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 18 of Graphic sampler Historical Prints: Lithographed Letterheads, Milton Kaplan 190 Japanese Picture Scrolls of the First Americans in Japan, Renata V. Shaw 195 Pictorial Essays on Women. Woman as Homemaker, Wife, Mother, Mentor, Breadwinner. Woman...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 19 of Graphic sampler I PRINTS AND DRAWINGS FROM THE FIFTEENTH CENTURY TO 1800- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 20 of Graphic sampler 2- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 21 of Graphic sampler Israhel van Meckenem’s Man of Sorrows Man of Sorrows. Engraved by Israhel van Mechenem (ca. 1444-1503). From the Prints and Photographs Division. LC—USZ62—49294. by Edgar Breitenbach When the Library acquired the Gardiner...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 22 of Graphic sampler native of Louvain, he entered the University of Cologne in 1491 (or possibly in 1489) and there became magister in 1494 and professor in 1500. His reputation grew steadily, until in 1518...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 23 of Graphic sampler moan: ar ifn c ;r /mago rdhrfarfarat] -cmi rnITi”nr f a ff l injsp?p? t- Hraaf. inCnmrrn Man of Sorrows. Second state. Israhel van Meckenem. Courtesy Cabinet des Estampes, Bibliotheqe nationale. great...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 24 of Graphic sampler Image of Pity. Mosaic, with silver frame. Byzantine, early fourteenth century. At Rome, Sta. Croce in Gerualemme. Courtesy Instituto centrale del restauro, Archivio fotografico, Rome. 6 Prints and Drawings from the Fifteenth...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 25 of Graphic sampler Image of Pity. English, fifteenth century. In Carthusian manuscript. Courtesy British Museum. place of the vision; it is, in fact, mentioned for the first time on the other Meckenem print (Lehrs, No....- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 26 of Graphic sampler The third state of Israhel van Meckenem’s Man of Sorrows, though rare and possibly unique, is merely a shadow of what the artist had intended. Its value lies not in its esthetic...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 27 of Graphic sampler 9. The prize he carried away on this visit was the finger of St. Catherine with the ring, which, according to legend, Christ himself had placed there. If some sources are to...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 28 of Graphic sampler The “Pembroke” Album of Chiaroscuros by Alan M. Fern and Karen F. Beall Facing page: Chiaroscuro woodcut in three blocks by Girolamo Bolsi, depicting Barto¬ lommeo Neroni’s stage set for L’Ortensio, designed...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 29 of Graphic sampler [WP ««acuchmu K*r© 1h/JC0^P UKC1PI Jrtr»oHAT^HaAFn pObViy iO.voroiA Wi^ci tVpju DV LC i rneSntvix omicurWTto?.) rcHTAJxJ FAjira 33s T/ie “Pembroke” Album of Chiaroscuros 11- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 30 of Graphic sampler The History of Chiaroscuro Woodblock Prints The chairoscuro woodcut of Pan, upper left on the facing page, and the drawing by Parmigianini, right on facing page, illustrate the way Italian artists adapted...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 31 of Graphic sampler process, and although this was not strictly true he had in fact used the tech¬ nique in a different fashion than had his German predecessors. Ugo da Carpi and the Italian chiaroscurists...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 32 of Graphic sampler is obvious the original artist never had this adaptation in mind. But the prints themselves are handsome and effective works of art, bearing testimony to the artistry of the printmaker. Before turning...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 33 of Graphic sampler The “Pembroke” Album In June 1918 the Library of Congress purchased item 148 in Maggs Brothers’ catalog 364. This was described as “engraving in chiaroscuro. A Remarkable Collection of 90 Original Engravings...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 34 of Graphic sampler cal characteristics of the book might have been included. It is a collection of leaves 44.5 by 35 centimeters in size, in a binding about 2 centimeters larger in each dimension. On...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 35 of Graphic sampler The Pembroke family were statesmen and soldiers, patrons of the arts and collectors, and enjoyed connections with painters like Prosper Henry Lankrink and Sir Peter Lely, with Shakespeare, and with Oxford University....- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 36 of Graphic sampler Above, a drawing by Domenico Beccafumi in crayon and ink, heightened with white, depicting three figures variously described as river gods and as Old Testament personages, and above right, an engraved early...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 37 of Graphic sampler Shown below is the final state of the print, in which tones have been added to the engraving by the chiaroscuro block. It is no. 49 in the Library’s Pembroke Album. Lugt...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 38 of Graphic sampler At the end of this article is appended a list that will at least provide tentative The Prints titles and attributions for the ninety one prints in the Pembroke Album. Al¬ though...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 39 of Graphic sampler The Miraculous Draught of Fishes, shown first as a cartoon in gouache over charcoal, done by Raphael for a tapestry in the Sistine Chapel, about 1516, and second as a chiaro¬ scuro...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979
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Image 40 of Graphic sampler This is a glimpse at a very rich collection of comparatively uncommon sixteenth-century prints. We are just beginning to learn more about them, and to be guided by our colleagues who have...- Contributor: Library of Congress. Prints and Photographs Division - Shaw, Renata V.
- Date: 1979