Manuscript/Mixed Material Young People's Concerts Scripts: What Does Orchestration Mean? [pencil on yellow legal pad paper]

About this Item

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About this Item

Title

  • Young People's Concerts Scripts: What Does Orchestration Mean? [pencil on yellow legal pad paper]

Names

  • Bernstein, Leonard, 1918-1990

Created / Published

  • March 8, 1958.

Headings

  • -  Orchestration
  • -  The Orchestrator
  • -  Rimsky-Korsakov, Nikolay, 1844-1908
  • -  Rimsky-Korsakov: Capriccio Espagnol
  • -  Debussy: The Afternoon of a Faun
  • -  Gershwin: Rhapsody in Blue
  • -  Bach: Brandenburg Concerto No. 3
  • -  Colors in music
  • -  The Woodwind family
  • -  Prokofiev: Peter and the Wolf
  • -  Hindemith: Kleine Kammermusik
  • -  Stravinsky: Symphony for Wind Instruments
  • -  The The String family
  • -  Schubert: Quintet in C, Opus 163
  • -  Favorite melody
  • -  Vaughan-Williams: Fantasia on a Theme of Tallis
  • -  William Schuman: Symphony for Strings
  • -  The Brass family
  • -  Gabrieli: Sonata per Octi Toni
  • -  The Percussion family
  • -  Schubert: Arpeggione Sonata
  • -  Ravel: Introduction and Allegro
  • -  Stravinsky: L'Histoire du Soldat
  • -  Ravel: Bolero
  • -  Teachers
  • -  Young People's Concerts

Genre

  • Manuscripts

Notes

  • -  Location: Box/Folder 105/03.
  • -  From: Leonard Bernstein Collection, Music Division, Library of Congress. Young People's Concerts Television Scripts Series.
  • -  For information about this resource, refer to finding aid available at https://hdl.loc.gov/loc.music/eadmus.mu998001
  • -  Record created through migration from the Performing Arts Encyclopedia Database.

Medium

  • 23 (numbered pages 1-15 & 1-4 + verso's of p. 2, 6 & 8, and 1) pages.; 8" x 12.5"

Call Number/Physical Location

  • ML31 .B49

Source Collection

  • Leonard Bernstein collection, circa 1900-1995

Library of Congress Control Number

  • 2023778430

Rights Advisory

Online Format

  • image
  • pdf
  • online text

Additional Metadata Formats

IIIF Presentation Manifest

Rights & Access

The Library of Congress is providing access to The Leonard Bernstein Collection ca. 1920-1989 for educational and research purposes. The written permission of the copyright owners and/or other rights holders (such as publicity and/or privacy rights) is required for distribution, reproduction, or other use of protected items beyond that allowed by fair use or other statutory exemptions. Note that there may be U.S. copyright protection (see Title 17, U.S.C.) or other restrictions in the materials in The Leonard Bernstein Collection ca.1920-1989 materials, and there may be content protected by copyright or neighboring-rights laws of other nations. See our Legal Notices and Privacy & Publicity Rights for additional information.

Responsibility for making an independent legal assessment of an item and securing any necessary permissions ultimately rests with persons desiring to use the item.

Credit Line: Library of Congress, Music Division

The following items are included in The Leonard Bernstein Collection ca. 1920-1989, with the permission as noted:

Correspondence

  • Correspondence to Leonard Bernstein from Aaron Copland used by permission of The Aaron Copland Fund for Music, Inc., 254 West 31st Street, 15th floor, New York, NY 10001, (212) 461-6956, fax: (212) 810-4567.
  • Correspondence to Leonard Bernstein from Serge and Olga Koussevitzky used courtesy of the Serge Koussevitzky Music Foundation, Library of Congress, Music Division, 101 Independence Avenue, S.E., Washington, D.C. 20540-4710, Phone: (202) 707-5503, Fax: (202) 707-0621.
  • Correspondence to Bernstein and family members from Helen Coates used by permission from Marianne Langner Zeitlin, 204 Warren Avenue, Rochester, NY 14618.

Bernstein Family Correspondence

  • Correspondence written by Leonard Bernstein used by permission from Marie Carter, VP Licensing and Publishing, The Leonard Bernstein Office, Inc., 121 West 27th St., Suite 1104, New York, NY 10001, Fax: 212 315 0643.
  • Correspondence written by Felicia Bernstein used by permission from Ms. Nina Bernstein, President, The Leonard Bernstein Office, Inc., 121 West 27th St., Suite 1104, New York, NY 10001.
  • Correspondence written by Shirley Bernstein used by permission from Mr. Harry Kraut, The Leonard Bernstein Office, Inc., 121 West 27th St., Suite 1104, New York, NY 10001.
  • Correspondence written by Sam and Jenny Bernstein used by permission from Mr. Burton Bernstein, P.O. Box 236, Wewaka Brook Rd., Bridgewater, CT 06752.

Scripts

Article

  • The article Professor Lenny by Joseph Horowitz is reproduced with permission from The New York Review of Books External. Copyright © 1993 NYREV, Inc. Drawing by David Levine. Reproduced with permission from The New York Review of Books. Copyright © 1993 NYREV, Inc.

Bernstein Photo Gallery, 1920s-1942

  • The first known photograph of Bernstein as a conductor. As a camp counselor, he is conducting the Camp Onota Rhythm Band, 1937. © Made available online with permission from The Berkshire Eagle. David Scribner, Editor, The Berkshire Eagle, 75 S. Church Street, Pittsfield, Massachusetts 01201-6166.
  • Bernstein conducts Stravinsky's L'histoire du Soldat at an informal Tanglewood tea party. Serge Koussevitzky- conductor and Bernstein mentor- and his wife Natalie look down from the balcony. The inscription to Helen Coates refers humorously to L'histoire D'un éléve - the tale of the student. 1940. © Made available online with permission from The Berkshire Eagle. David Scribner, Editor, The Berkshire Eagle, 75 S. Church Street, Pittsfield, Massachusetts 01201-6166.

Bernstein Photo Gallery, 1943-1945

Bernstein Photo Gallery, 1946

Bernstein Photo Gallery, 1947

Bernstein Photo Gallery, 1948

Bernstein Photo Gallery, 1949

Bernstein Photo Gallery, 1950-1953

Bernstein Photo Gallery, 1955-1957

  • Bernstein, 1956. © Made available online with permission of The New York Public Library for the Performing Arts. Friedman-Abeles, Billy Rose Theatre Collection. Astor, Lenox, and Tilden Foundations.
  • Bernstein at rehearsal for West Side Story . Carol Lawrence (who played Maria) is at his left, and lyricist Stephen Sondheim is playing the piano, 1957. © Made available online with permission of The New York Public Library for the Performing Arts. Friedman-Abeles, Billy Rose Theatre Collection. Astor, Lenox, and Tilden Foundations.
  • Bernstein with Felicia, Jamie, and Alexander. Seasons Greetings on music. Made available on- line with permission of © WHITESTONE PHOTO/Heinz- H. Weissenstein All Rights Reserved. P.O. Box 456, Lenox, Massachusetts, 01240-0456.
  • Bernstein with wife Felicia, and children Jamie and Alexander. Made available online with permission of © WHITESTONE PHOTO/Heinz- H.Weissenstein. All Rights Reserved. P.O. Box 456, Lenox, Massachusetts, 01240-0456.

Bernstein Photo Gallery, 1960s

Bernstein Photo Gallery, 1970s

Bernstein Photo Gallery, 1980s

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Bernstein, Leonard. Young People's Concerts Scripts: What Does Orchestration Mean? pencil on yellow legal pad paper. March 8, 1958. Manuscript/Mixed Material. https://www.loc.gov/item/2023778430/.

APA citation style:

Bernstein, L. (1958) Young People's Concerts Scripts: What Does Orchestration Mean? pencil on yellow legal pad paper. March 8. [Manuscript/Mixed Material] Retrieved from the Library of Congress, https://www.loc.gov/item/2023778430/.

MLA citation style:

Bernstein, Leonard. Young People's Concerts Scripts: What Does Orchestration Mean? pencil on yellow legal pad paper. March 8, 1958. Manuscript/Mixed Material. Retrieved from the Library of Congress, <www.loc.gov/item/2023778430/>.