Book/Printed Material Image 8 of [Newsboys]

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Sure enough, when 'e gets up, 'e forgets to take the package, an' quick as a flash I grab it an' put it in between my papers, an' then I walk out. When I open it up a few blocks away, there's a classy silk shirt. I figure it must-'ve cost seven-eight dollars, maybe ten. I couldn't do much with a thing like that.

But I get a bright idea. It won't do me no harm, I figure, to be on the good side o' one o' the circulation men, an' I offer it to 'im. He likes it an' he says, “what do you want for it?”

I wasn't figurin' to sell it; I'd meant to give it to 'im, figurin' it wouldn't do no harm to be on the good side of 'im that's all. But when he said that, me, I say, “We'll call it a hundred an' fifty sheets.” That'd be about ninety cents. No! - in those days the war was on an' the price was raised to a penny, to us kids. A dollar an' a half was all I got for it, in papers.


There was a certain code among us kids, an' the guy who didn't live up to it, that was just too bad for him. You observed it, or else!

One of the things was, you couldn't sell on the corners where the big fellows was. There wasn't stands in those days, they just piled the papers on the curb an' put stones on top of 'em, an' every busy corner was held down by some big guy. Us little kids, we ran around the streets, an we wasn't allowed to sell on any o' those corners. If we did, we had to buy the paper back from the guy whose corner it was; an' besides that, he'd boot us a good one.

We were little kids. The women, especially, would buy from us in preference to the big guys, not realizing, o' course, what they were

About this Item

Contributor Names
Marius, Philip (Interviewee)
Aaron, Abe (Interviewer)
Created / Published
Chicago, Illinois
Subject Headings
-  Life Histories
-  Folklore
-  Interview
-  United States -- Illinois -- Chicago
Call Number/Physical Location
series: Folklore Project, Life Histories, 1936-39
MSS55715: BOX A707
Source Collection
U.S. Work Projects Administration, Federal Writers' Project
Manuscript Division
Online Format
online text

Rights & Access

The Library of Congress is not aware of any copyright in the documents in this collection. As far as is known, the documents were written by U.S. Government employees. Generally speaking, works created by U.S. Government employees are not eligible for copyright protection in the United States, although they may be under copyright in some foreign countries. The persons interviewed or whose words were transcribed were generally not employees of the U.S. Government. Privacy and publicity rights may apply.

Suggested credit line: Library of Congress, Manuscript Division, WPA Federal Writers' Project Collection.

The introduction was written by Ann Banks © 1980 and produced by Joanne B. Freeman. The sound recordings were produced by Joan Murphy Stack and engineered by Rob Attinello. The actors who read the manuscripts were Clement Cottingham, Billie Durand, George A. Jackson, Jr., Margaret Root, Edward S. Stout, and Edna Jeweline White.

Privacy and Publication

Issues pertaining to privacy and publicity may arise when a researcher contemplates the use of letters, diary entries, or reportage found in library collections. Because two or more people are often involved (e.g., photographer and subject) and because of the ease with which they can be reused, photographs and motion pictures represent the types of documents in which issues of privacy and publicity emerge with some frequency.

Privacy and publicity rights are, of course, distinct from copyright. For example, an advertiser may have the photographer's permission (as copyright owner) to use a portrait. But in order to avoid invading privacy, the advertiser may also need the sitter's permission to use the photograph. In fact, publishers sometimes ask photographers to submit a copy of a "release form" in order to establish that the subject of a photograph gave his or her consent.

Although the risks for use in a periodical's "editorial" pages may be less than for use in advertising or for other commercial purposes, they can still be high if the person depicted is held up to ridicule or presented in a libelous manner.

While it is true that famous or public figures who seek recognition have thereby surrendered some privacy, they may have the right to control the commercial use of their image (likeness, voice, signature, etc.). This principle recognizes that a celebrity's image can be an asset in trade.

For more on these and related topics, consult the following books:

Chernoff, George and Hershel Sarbin. Photography and the Law, NY: AMPHOTO, 1971. Library of Congress call number: KF2042.P45C44 1971.

Schultz, John and Barbara Schultz. Picture Research: A Practical Guide, NY: Van Nostrand, 1991. Library of Congress call number: TR147.S38 1991.

Cite This Item

Citations are generated automatically from bibliographic data as a convenience, and may not be complete or accurate.

Chicago citation style:

Marius, Philip, and Abe Aaron. Newsboys. Chicago, Illinois, 1939. Pdf.

APA citation style:

Marius, P. & Aaron, A. (1939) Newsboys. Chicago, Illinois. [Pdf] Retrieved from the Library of Congress,

MLA citation style:

Marius, Philip, and Abe Aaron. Newsboys. Chicago, Illinois, 1939. Pdf. Retrieved from the Library of Congress, <>.

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