This online presentation makes available a selection of photographs from the Library of Congress, the Missouri Historical Society and Southern Illinois University; film and videotape excerpts from Dunham's research and performing career; and selections from the Library's Dunham Legacy Project, which documented her dance technique. In addition, a complete inventory of the collection is included.
The release of the Web collection coincides with the 2004 Visionary Awards and Intergenerational Summit on the State of Black America. Ms. Dunham was an honoree during this Oct. 16 event, and the award presentation was jointly sponsored by the Library's American Folklife Center and the National Visionary Leadership Project.
The Katherine Dunham Collection was assembled at the Library of Congress through the generous support of the Doris Duke Charitable Foundation. The financial support made possible the purchase of significant portions of Dunham's archives originally housed at the Dunham Centers in East St. Louis, Ill. With the acquisition of 1,694 items in a variety of moving image formats, the Library has become a premiere source of information on Dunham's legacy -- a legacy that encompasses choreographic works, technique and teaching, performance and production, anthropological analysis of the dance and ritual of the African diaspora, global activism and leadership in human rights, and advocacy in the local African American community.
Born in 1909 in Chicago, Katherine Dunham is best known for incorporating
African-American, Caribbean, African and South American movement styles and themes into her ballets. As a young dancer and student at the University of Chicago, she chose anthropology as her course of study. The union of dance and anthropology would have a profound impact on her choreographic style throughout her career.
In addition to having a career that has included Broadway performances, feature
films, choreography and national and international tours, she established the Katherine Dunham School of Arts and Research. In 1983 she was a recipient of the Kennedy Center Honors, and in 2000 she was named one of "America's Irreplaceable Dance
Treasures" by the Dance Heritage Coalition.