Book/Printed Material A practical approach to 16th century counterpoint Practical approach to sixteenth century counterpoint
About this Item
Title
- A practical approach to 16th century counterpoint
Other Title
- Practical approach to sixteenth century counterpoint
Names
- Gauldin, Robert, 1931-
Created / Published
- Long Grove, Illinois : Waveland Press, [2013]
Contents
- Melodic writing with white notes -- Two-voice texture with white notes -- Melodic writing with black notes -- Two-voice texture with black notes -- Other aspects of two-voice texture -- Examples of two-voice compositions for analysis -- Three-voice texture with white notes -- Cadences in three-voice texture : other white-note dissonance -- Black notes in three-voice texture : imitation and reentries -- Paraphrase technique : further studies in canon -- Examples of three-voice compositions for analysis -- General considerations of four-voice texture : familiar style -- Imitation and reentry in four-voice texture : cantus firmus technique -- Examples of four-voice compositions for analysis -- Aspects of five- and six-voice texture : triple meter -- The motet : parody technique -- Examples of five- and six-voice compositions for analysis -- Eight-voice texture : polychoral style -- Examples of eight-voice compositons for analysis -- Additional harmonic devices in the late sixteenth century -- Extended musica ficta and chromaticism.
Headings
- - Counterpoint--History--16th century
Notes
- - Includes bibliographical references (pages 293-303) and indexes.
Medium
- viii, 312 pages : music ; 23 cm
Call Number/Physical Location
- ML446 .G38 2013
Library of Congress Control Number
- 2014567211
OCLC Number
- n840477437